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My Love Affair
with Stories...
I've
always loved stories, real or fiction. As a child, I would read quaint
fairy tales and novels about far away places. But I loved listening to
my mother and aunts tell family stories even more. Strangely, the only
folktale that I recall anyone ever telling me was Momotarosan. On maybe
just two or three occasions just before my bedtime, I sat next to my
father, who lay down on his resting mat in his bedroom, and
listened to him bring to life that famous Japanese tale about a boy
being born from a peach and his adventures fighting the onis with
the help of his trusted friends: the dog, the monkey and the bird.
Perhaps it was my father's influence that
I began practising the art of storytelling. Perhaps it was a natural
progression from all the solo theatrical performances that I had been
doing previously. I attended a storytelling course organised by Asian
Storytelling Network and the National Book Development Council of
Singapore in 2003 and have never looked back since.
Together
with the gorgeous Kamini Ramachandran, whom I met at this course, we
formed
MoonShadow Stories and have been delighting adults and children
with stories at The Substation, museums and other venues since 2005.
With the help of The Substation,
MoonShadow Stories organised a landmark
event,
Archipelago: Southeast Asian Island Stories & Music (12–13
Aug 2005) at the historic
Armenian Church to celebrate Singapore's 40th National Day.
In
addition, I have been telling stories in my own right
and through ASN, Talespin, Storytelling Association (Singapore), the
Storytelling Circle and other groups. I have also conducted
storytelling-related workshops during the annual Asian Congress of
Storytellers (2005 & 2006) and with various community groups. During
the fall of 2007, I had the pleasure of telling stories for the first
time beyond Singapore, thrilling both children and adults in upstate New
York and New Orleans.
To make my stories come alive, I use all
of my vocal and physical theatre training. I choose my stories
carefully, adapting folktales with strong characters or creating
original tales with a twist. Where possible, I invest my quirky brand of
humour, especially in my stories for adults, to titillate and
tantalise...
For my full storytelling resume, please
visit:
http://www.moonshadowstories.org/VT-Storytelling%20Resume-3%20Jan%202009.pdf.
Some Reviews
“Verena
Tay started the evening off with a story about
The Little-Man-With-Hair-All-Over.
Describing the exciting adventures of this little man (he fought ugly
monsters, rescued four damsels in distress and married them), this story
proved that size and appearance are not as significant as true courage
and determination, which always triumph in the end. Tay was an amusing
storyteller, aware of some men's preoccupation with "size" and making
use of this to tickle the audience by adjusting her pants to give an
impression of a "big" man. The ease with which she changed her voice,
deepening it or making it high-pitched to suit the character she was
playing was commendable and one could imagine each character's
appearance and mannerisms just from her descriptions.”
~ Nadia
Binte Ibrahim, ‘Once Upon a Time…’, Review of The Male Instinct,
Storytelling for Adults by MoonShadow Stories, 9 July 2005, The
Flying Inkpot Theatre Reviews,
http://inkpot.com/theatre/05reviews/0709,maleinst,ni.html (last
accessed: 29 January 2007)
“Verena’s
retelling of The Gravedigger and her eerie singing whisper, “Di
mana hatiku? (Where is my heart?)”, by a corpse whose body parts are
stolen, still lingered in my ears long after the session was over. Such
was the potency of the tales that night which teased and tantalised the
sense and made them dance to the tune of each beautiful tale recited by
a compelling storyteller.”
~ Chand,
‘Spooks up their Sleeves. Supernatural Weaves’, Review of The
Unnatural,
Storytelling for Adults by MoonShadow Stories, Oct 2005, The Ridge,
2005 Holiday Issue, p. 18
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